The time required may vary depending on the number of captured images and/or the recording format. * A certain amount of time is required for the playback of images captured in the continuous shooting mode. * The continuous shooting speed may decrease depending on the type of lens used and/or the aperture, shutter speed and sensitivity selected by the user. The number may vary depending on the type of memory card used and/or the photographic conditions. * The number of images captured in the continuous shooting mode is an approximate figure, tested at a sensitivity of ISO 200. 2.5 fps, JPEG ( L: ★★★ at Continuous L): up to approx. 7.0 fps, JPEG L: ★★★ at Continuous M): up to approx. 12 fps, JPEG ( L: ★★★ at Continuous H): up to approx. Single Frame, Continuous (H, M, L), Bracketing (2, 3 or 5 frames), Depth of Field Bracketing, Motion Bracketing, Mirror-up, Multi-Exposure(Average/Additive/Bright), Interval Shooting, Interval Composite To optimize these advantages, the imaging process has been completely restructured to assure highly sensitive expression with a natural bokeh (defocus) effect, rich gradation and extra-fine sharpness - an image only the monochrome-specific image sensor can deliver. The result is minimal deterioration of the data obtained, and optimal visual expression. Unlike a color sensor that requires the interpolation process, each pixel of the monochrome-specific image sensor corresponds precisely to each pixel in the resulting image. Image quality has been re-evaluated and redesigned to optimize the imaging characteristics of the monochrome-specific image sensor. Image quality exclusively designed for monochrome photography Since a monochrome-specific image sensor can faithfully reflect the brightness data obtained by each pixel in the image - without the interpolation process - the photographer can create extra-fine monochromatic expression, in an image high in resolution and rich in gradation. To compose a monochrome image, color sensors must convert color data into monochromatic data by interpolating the obtained color data while using adjacent areas of the image field as a reference. Typical color image sensors are designed to receive light passing through red (R), green (G) and blue (B) color filters, so each pixel detects only one color data component. The obtained data is then directly converted to compose an image. By designing the camera solely for the purpose of monochrome photography, each pixel detects brightness data of the light coming through the lens. This means that the photographer can create images that are more impressive and persuasive.įor users who want to master monochrome photography, the PENTAX K-3 Mark III Monochrome features an image sensor specifically designed to capture monochrome images only. Without color data, monochrome can more clearly depict the form and texture of a subject using light, shadow and the in-between gradations. Monochrome (or black-and-white) photography is the origin of photographic expression. Returning to the starting point of photography: capture images with light and shadow
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